Living Room Theatre, now in its sixth season, presents two wonderfully unusual plays this summer.

Up Next:

 

Circle Mirror Transformation

by Pulitzer Prize winner Annie Baker.

 

This  intimate play (Obie Award for Best New Play) imagines a weekly community acting class in Vermont that forever changes the lives of its participants. A beautifully crafted drama both humorous and heartbreaking in unexpected ways. 

"The play is an absolute feast. It traces the lives of a handful of small town Vermont residents who gather each week for an acting class taught at the local community center. By the play's end we seem to see to the very bottom of these souls, and feel how the artificial intimacy of the acting class has shaped their lives in substantial ways" The New York Times

August 3-5, 9-12  at 7:30 pm  and Sunday August 6 at 2pm

The Carriage Barn at Park McCullough House

1 Park St , N. Bennington, VT 05257

Tickets 802-442-5322,  info@lrtvt.org

Directed by LRT Founding Member Chris McCann,  

with Allen McCullough, Lizzie King-Hall, Ken Forman, Jacquleine Jacobus and Oona Roche

 

 

The Bennington Banner writes:

Living Room Theatre's "Adam and Evie" speaks to love

Innovative play by Charles Mee opens in North Bennington

By Telly Halkias

NORTH BENNINGTON — When I saw Bennington Museum director Robert Wolterstorff in the crowd at Living Room Theatre's season opener this Thursday night, I knew the stars were aligning.

Just a week earlier, Wolterstorff, a noted art historian, had spoken to me for several articles I was writing on his institution's new ground-breaking exhibition, "Grandma Moses, American Modern," which examines echoes of Moses' methods in the approach of American Modernists.

This parallel was on my mind throughout the crisp 88 minutes LRT offered up to open its sixth season, a surreal production of Charles Mee's "Adam and Evie." The play is produced by Roger Cooper and directed, choreographed and designed by Randolyn Zinn.

The connection to Modernism seems fitting. Mee, a professor of theatre at Columbia University has long written plays at the forefront of visual as well as written innovation. His narrative flow is created the same way patches are put together on a quilt, and he is particularly adept at taking existing stories such as Greek plays and fusing them

"Adam and Evie" is about the human drive for love and everything that goes along with it: it surveys this passion from Adam and Eve through today. The story revels in social behavior ranging from the juvenile, sage, tear-jerking, quixotic, and carnal longings of dozens of characters who also mix in a healthy dose of humor.

The cast of 12 young attractive actors, recent graduates from Circle in the Square Theatre School, took the roles of Adam (Chase McIntosh) and Evie (Maranda Rust), and then were all sent through a time warp of the imagination and more characters than one can imagine.

A sampling of some roles played by the ensemble: Greek play narrator (Danielle Amendola), Tantalus (yes, from the myth, Matthew Boyd), Juliet (yes, Shakespeare's, Madison Coyle), Romeo (Holden Cox), a Chicken (yes, you heard that right, Matt Dallal), The Bride (Rena Gavigan), a Waiter (Olivia Hartshorn), a Casting Agent (Iris Holm), a Charioteer (Jay Reum), and a Violinist (Gaia Visnar).

These are just a few of the roles played by the above actors. There were about 4 times more overall, as one scene literally floated into the next. Director Zinn and husband and LRT co-founder Allen McCullough also had a dreamy dancing cameo.

Ms. Zinn had her charges primed and ready, whether in a tremendously hilarious casting call for Romeo and Juliet, or the over-the-top rendition of the myth of Tantalus, to the affair of a grand wedding.

The cast was able to make us laugh at well-timed moments: they danced with fluidity, and sung both gently and with authority. Zinn's choreography remains as good as LRT audiences have come to expect, and rightfully so given her long New York career in the industry.

A special nod must got to stage manager Sarabell Wrigley, who came to North Bennington from Los Angeles specifically to be a part of this production, her fourth season with LRT. Given the intimate staging and the pay-as-you-will ticket policy - a largesse which permeates the entire stage company — I can see why someone would want to work at LRT, let alone attend a play as an audience member.

But let's get back to my opening meditation on modern art and its connection to "Adam and Evie." There's no question a play by Charles Mee is not garden variety theatre. His work is known as innovative and visionary, partly because there just isn't a whole lot out there like it. These are not easy plays to write, produce, direct, or perform in.

As such, the chance to see this kind of quilt work of a funny, thoughtful, and quite sensual performance is rare indeed, and to see it in any kind of regional theater is almost unheard of. This, along with the superior acting of the young Thespians under Zinn's aegis, are excellent reasons to go see "Adam and Evie."

For all I had known of Mee's work, I had never seen it on stage, nor had I ever attended a show at LRT, even though many friends have been urging me to go for several years.

I'm glad I did. You will be, too.

"Adam and Evie" will run through July 14 at Living Room Theatre, Park-McCullough Carriage Barn, 1 Park St., North Bennington, Vt. Info: 802-442-5322 or lrtvt.org


Follow award-winning freelance journalist Telly Halkias on Twitter: @Telly Halkias

 

 

 

Read our NYC reviews of MEN OF TORTUGA

read the entire rave review HERE

Under Randolyn Zinn's fine tuned direction, the five cast members do a beautiful job of balancing the twin foci of the alarming nature of the murderous plot and their increasingly farcical behavior."

read our second rave HERE


Take a look at what The Berkshire Eagle has to say about us

click here


From our audience:

Christopher McCann in Exit the King

"Spirited, adventurous, joyful and serious. Zinn and her entire team have done wonders. How we love them!" 

-- Willard Boepple

 

"This year's production of Exit The King was simply magical. The hallucinogenic scene-scape that Zinn and her team created will stay with us for a long time. Get thee to North Bennington! It is well worth the journey.

–- Brett Aresco & Briana Pozner

Tom Coiner & Lizzie King-Hall in Strindberg's Playing With Fire.

Tom Coiner & Lizzie King-Hall in Strindberg's Playing With Fire.

"I suspect that what Living Room Theatre is doing is akin to what the Williamstown Theatre Festival must have been like in its early years."

-– Jonathan Marballi